Black Grouse are stunning, secretive birds with a thrilling courtship display. Extremely sensitive to disturbance, it can be a challenge to photograph them, but with the right set up, it’s an unforgettable experience.

A fantastic trip to Dovre in January 2023 where I was joined by Gunnar Dresler, Oddbjørn Austevik and Trond Westby to photograph the muskox in the snow. A cabin trip with good company and 3 days of wildlife photography, I can’t think of a better way to kick off the year!

The Journal of Wildlife Photography is a membership-based publication that offers a wealth of benefits for wildlife photographers of all skill levels. Whether you’re a seasoned professional or just starting out, a membership to The Journal of Wildlife Photography can help you improve your skills, stay up-to-date on the latest trends and techniques, and connect with other like-minded individuals.

One of my favourite things to do at the end of the year is to go through my Lightroom collection and pick out my favourite images of the year. I started doing this in 2020 and settled on 21 photos, so now that’s been my standard number of images I pick out each year. I use b-roll I’ve captured through the year and make a video set to music with no talking.

When we finally got a snow day in Perthshire I spent all day out filming and photographing my local wildlife. I really wanted to put together a Christmas Special video for YouTube and I’m happy to say that the snow, the wildlife and the photos all came together in the end.

During a cold spell in December 2022 I decided to go to Glenshee to photograph mountain hares. It was a tough day in the hills and I didn’t find many hares. However, the few encounters I got were spectacular and the light at the end of the day was so good that I even tried for a bit of landscape photography.

I sometimes use the OM-5 as a second camera body to shoot with, especially when I’m travelling light with my OM-1 and the OM-5 as a vlogging camera, but also a second body. So I wanted to test out the OM-5 for some wildlife photography to see how it performs.

The OM-5 weighs 366 grams.

With the 12-45mm f/4 pro lens it weighs just over 600 grams, I can even bring the 40-150mm f/4 pro lens and it all weighs just over 1kg. It really is the kind of camera you can bring anywhere and not even notice that you’re carrying it.

In this post I’m going to share about how I got on with the NiSi Close Up Lens Kit – what I learned, where I got stuck, what I like about it, and my top tips for using it.